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Passage: Neoclassicism, emerging in the late eighteenth century, was a reaction against the perceived frivolity of the Rococo. It sought to return to the 'noble simplicity and calm grandeur' of ancient Greece and Rome. This was not merely a matter of taste but a political and moral program. By depicting scenes of civic virtue and heroic sacrifice, artists like Jacques-Louis David aimed to inspire a new generation of citizens during the French Revolution. The clear outlines, restrained colors, and logical compositions were intended to reflect the rational ideals of the Enlightenment. In this context, the revival of classical form was a call to order and discipline in a society undergoing radical transformation. The author suggests that Neoclassical artists used clear outlines and logical compositions to:
- Embody the rational ideals associated with the Enlightenment.
- Appeal to the decadent tastes of the Rococo aristocracy.
- Mirror the chaotic emotions of the French Revolution.
- Hide the lack of political engagement in their subject matter.
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