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Passage: Commodity fetishism describes the process by which the social relationships between people are transformed into relationships between objects. When we buy a shirt, we see only its price and its style; the human labor, the cotton fields, and the factory conditions are invisible. The shirt becomes a 'fetish'—an object endowed with a life of its own, seemingly independent of its makers. In the digital economy, this fetishism is amplified. We interact with 'platforms' and 'algorithms' as if they were natural forces, forgetting the thousands of underpaid content moderators and data-labelers who keep them functioning.

Which of the following actions would most directly counter 'commodity fetishism' as described by the author?

  1. An artist creating a large sculpture out of old recycled computer parts to critique electronic waste.
  2. A consumer simply choosing the cheapest possible version of a digital subscription plan available on the market.
  3. A tech company releasing a polished advertisement that shows how its new software makes everyday life easier for users.
  4. A clothing brand including a tag on every garment that features a photo and story of the person who sewed it.

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